Let's

Duett

Make music in a new vibe-composing way.Whether you are a beginner or a professional producer, you never create alone.

01 / Prompt to project

Start with language, not setup

Build a late-night jazz sketch at 92 BPM with warm Rhodes voicings, space for a soft lead melody, and a richer bridge later.

I'll start with a 4-bar late-night jazz foundation: warm Rhodes voicings, light guide tones, and a relaxed 92 BPM pulse. I'll keep the harmony centered in G minor with enough tension to open into a richer bridge later.

For this late-night jazz opener, I'll use:

Key: G minor (warm and intimate, with enough tension for a richer bridge)

Voicing: Rootless Rhodes 7th and 9th voicings with soft voice-leading

Harmonic movement: Gm9 -> C13 -> Fmaj9 -> D7alt

Lead space: Light guide tones that leave room for a horn or vocal to enter later

Midnight Jazz Sketch

G minor | 4 bars | 92 BPM

Created your Midnight Jazz Sketch - a 4-bar jazz foundation in G minor at 92 BPM, with Rhodes voicings and a light guide melody.

Add brushed drums and an upright bass under this sketch. Keep the opening intimate and leave room for a horn statement later.
done

Add Track

message: Track creation completed successfully. status: ok

done

Add Track

message: Track creation completed successfully. status: ok

Track creation succeeded. I'll add brushed drums and an upright bass so the harmony locks into a relaxed jazz pocket before a lead instrument enters.

done

List Available Sounds

status: ok · query: brush kit · role: drum

done

List Available Sounds

status: ok · query: upright bass · role: bass

Great. I found a brush kit and an upright bass patch. Next I'll assign them and generate MIDI around the current G minor voicings and 92 BPM swing feel.

done

Set Track Instrument

message: Track instrument assignment completed successfully. status: ok

done

Set Track Instrument

message: Track instrument assignment completed successfully. status: ok

Instruments are set. I'll keep the drums light on the ride and brush snare, then write a supportive bass line that outlines the changes without crowding the Rhodes.

Brush Club Kit

Drum track | 4 bars

Upright Bass

Bass track | 4 bars

Generated Brush Club Kit as a restrained 4-bar jazz pulse with brushed snare swells, ride taps, and soft kicks to keep the groove intimate.

Generated Upright Bass as a supportive 4-bar line that walks through the G minor changes and gently pulls into the turnaround.

Describe the next part... (use @ to reference a track)

@ mention · Enter send · Shift+Enter newline · drag/paste audio

Tempo92
KeyG minor
4/4
83
1234567
Midnight Jazz Sketch
Brush Club Kit
Upright Bass

MIDI 1

Warm Rhodes MKI
MIDIMS

DRUM 1

Brush Club Kit
MIDIMS

MIDI 2

Upright Bass
MIDIMS
Not Connected

02 / Connect to every DAW

Connect one clip to every DAW

Build a late-night jazz sketch at 92 BPM with warm Rhodes voicings, space for a soft lead melody, and a richer bridge later.

I'll start with a 4-bar late-night jazz foundation: warm Rhodes voicings, light guide tones, and a relaxed 92 BPM pulse. I'll keep the harmony centered in G minor with enough tension to open into a richer bridge later.

For this late-night jazz opener, I'll use:

Key: G minor (warm and intimate, with enough tension for a richer bridge)

Voicing: Rootless Rhodes 7th and 9th voicings with soft voice-leading

Harmonic movement: Gm9 -> C13 -> Fmaj9 -> D7alt

Lead space: Light guide tones that leave room for a horn or vocal to enter later

Midnight Jazz Sketch

G minor | 4 bars | 92 BPM

Created your Midnight Jazz Sketch - a 4-bar jazz foundation in G minor at 92 BPM, with Rhodes voicings and a light guide melody.

Add brushed drums and an upright bass under this sketch. Keep the opening intimate and leave room for a horn statement later.
done

Add Track

message: Track creation completed successfully. status: ok

done

Add Track

message: Track creation completed successfully. status: ok

Track creation succeeded. I'll add brushed drums and an upright bass so the harmony locks into a relaxed jazz pocket before a lead instrument enters.

done

List Available Sounds

status: ok · query: brush kit · role: drum

done

List Available Sounds

status: ok · query: upright bass · role: bass

Great. I found a brush kit and an upright bass patch. Next I'll assign them and generate MIDI around the current G minor voicings and 92 BPM swing feel.

done

Set Track Instrument

message: Track instrument assignment completed successfully. status: ok

done

Set Track Instrument

message: Track instrument assignment completed successfully. status: ok

Instruments are set. I'll keep the drums light on the ride and brush snare, then write a supportive bass line that outlines the changes without crowding the Rhodes.

Brush Club Kit

Drum track | 4 bars

Upright Bass

Bass track | 4 bars

Generated Brush Club Kit as a restrained 4-bar jazz pulse with brushed snare swells, ride taps, and soft kicks to keep the groove intimate.

Generated Upright Bass as a supportive 4-bar line that walks through the G minor changes and gently pulls into the turnaround.

Describe the next part... (use @ to reference a track)

@ mention · Enter send · Shift+Enter newline · drag/paste audio

Tempo92
KeyG minor
4/4
83
1234567
Midnight Jazz Sketch
Brush Club Kit
Upright Bass

MIDI 1

Warm Rhodes MKI
MIDIMS

DRUM 1

Brush Club Kit
MIDIMS

MIDI 2

Upright Bass
MIDIMS
Not Connected
Ableton Live|120 BPM|C major

Ableton

Logic

FL

Bitwig

Cubase

Studio One

Midnight Jazz Sketch

03 / Read DAW context

Read the project, write to the right slot

LinkTap120.004 / 41 Barb*CMajor
33 . 1 . 14 . 0 . 0
KeyMIDI48.0 kHz
1357911131517192123252729313335373941434547

DAW Context

120 BPM, C Major, open 4-bar MIDI gap in the guitar lane. Duett can read the current Ableton set and write the clip into the matching slot automatically.

Ambient Intro Pad
YUMIORI GLOCKENSPIEL
ASAHI GUITAR
IKEAD BASS
KENASHI SYNTH
Drop Audio Effects Here
Insert Mark 33.1.1 (Time: 1:04)ASAHI GUITAR
Waiting List

Duett can do far more than this. Join the waiting list to discover more features and get access first.

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